Review: For the End of Time

By now, it should be abundantly clear to everyone who knows me that I am hopeless Messiaen trash. So when I stumbled on Rebecca Rischin’s For the End of Time, an account of the composition and première of Olivier Messiaen’s Quatuor pour la fin du Temps (Quartet for the end of Time), I knew I had to read it. It showed up under the tree for Christmas (thanks Mom and Dad!), I cracked it open eagerly, and . . . it was a very uneven ride.

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Of Magyrs and Manticores

I read a lot of fantasy as a kid. A lot a lot. Even when I basically stopped leisure reading in college, fantasy literature was never far from my mind, and now that I’ve started up again, my “books to read” list is split pretty evenly between fantasy novels and everything else. I have fond memories of many of these books, but I’d be hesitant to read most of them again. As I’ve read more and more, my tastes have sharpened — I’ve become able to appreciate things I couldn’t before, but there are also things that bother me now in narrative fiction that I used to pass by with blithe indifference. Some books, however cherished in my memory, come with big, stark signs saying “do not revisit these waters lest you rend the glowing shroud of nostalgia asunder”. (My subconscious is kind of wordy.)

The Orphan’s Tales, by Catherynne M Valente, is not one of those books.

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