Music Monday: Yano: Oboe Concerto

May 30, 2016 by brin solomon

You know, as good as I like to think my musical memory is, sometimes things happen that really make me question it. Take today’s piece: I was absolutely over the moon for Marco Aurélio Yano’s oboe concerto in high school, and then I completely forgot about its existence until a brief notice in the most recent issue of The Double Reed* about the impending publication of the piano reduction reminded me of how many feelings I had about it. So, of course, I rushed off to listen to it again, and all of those feelings came rushing back.

Music Monday: Dring: Trio

May 25, 2015 by brin solomon

"Daaaaaaaaaaa, ba du ba du ba du ba deedle-dee" — It's not often that the first two bars of a piece grip me so suddenly and surely as the opening of Madeleine Dring's trio for flute, oboe, and piano. Yet the very first time I heard them — streaming background music at the office, on a CD I had clicked on for a completely different piece — I dropped what I was doing and frantically tabbed over to Spotify to figure out what I was listening to. It's good to be reminded that even with all the repertoire I already know, there are still delightful surprises out there in the world of this music I love.

Music Monday: Lutyens: Présages

May 11, 2015 by brin solomon

Elisabeth Lutyens became known colloquially as the Horror Queen, and would paint her nails a lurid green to further the association. While it's certainly true that she didn't hold her film scores in the same regard that she did her concert works — she was infamous for asking producers "Do you want it good, or do you want it Wednesday?" — but she was genuinely proud of her ability to score a 50-minute film in as little as five days.